Lenka arranged a group “retreat” to a lovely converted barn in the Norfolk countryside to celebrate her, Kate and Viktoria’s birthdays. This sounded like it would be a relaxing, civilised affair. Of course I ought to have known better given: (a) the above average number of Saffers in the group; and (b) the barn in question, I swiftly realised upon recognising an all-too-familiar roadsign, was just down the road from where this transpired nearly three years ago. While there was certainly some drama, as with the trainee weekend away what happens in Norfolk remains firmly in Norfolk. The highlight was the Saturday night masquerade accompanied by a veritable feast put on by Lenka and her sous chefs. As I was handed the mantle of official photographer, a larger-than-usual Birthday Barn gallery is available for your perusal (those masquerade money shots are, naturally, at the end).
This year nearly passed by without a single film review. This is primarily a result of severely reduced cinema attendance, although it was coupled with a rise in home viewing so my actual film watching remained roughly even. However, I am hopeful this trend is reversible, not least since I am now in possession of Picturehouse membership for the first time since leaving university. This partly due to the convenient proximity of both the Clapham Picturehouse and the Ritzy in Brixton, but also the fact a deal meant the membership sold for less than the value of the three free bundled tickets. My reviewing return begins with the excellent The Ides of March.
Meanwhile some changes at the site. The Questions section has, once again, become woefully out of date. I have rolled through updating across the board to the current v2.0 beta and, as with all betas, that means I invite feedback: specifically, as always when this section receives updates, any questions? I just might answer them. The major change you may notice is that the site’s content now bears a Creative Commons licence which allows copying and derivative works for non-commercial purposes, so long as an attribution is included, which better suits my general opinion that most information on the Internet ought to be freely to be shared (in other words: it makes me less of a hypocrite). It does not apply to to the Gallery, not for commercial reasons but primarily because many of those photos feature friends or family who have not consented to — and may be uncomfortable with — such reuse. For photos I continue to direct people to the royalty free images shared via my morgueFile profile.