If â€œcripplewareâ€? seems an unduly harsh description, it balances the euphemistic names that the industry uses for copy protection. Apple officially calls its own standard â€œFairPlay,â€? but fair it is not.
-Randall Stross, NYT
Following my previous discussion of the iPhone I came across a very insightful article somewhat inappropriately named Want an iPhone? Beware the iHandcuffs. Inappropriate in that it is less about the iPhone than FairPlay, Apple’s dubious DRM system which it uses to lock customers in to their products — an accusation often levelled at Microsoft but rarely at their rival. Particularly interesting is the second page which details how Apple blame record company demands for the copy protection and yet still utilise it when record companies make no demands at all (indeed many songs protected via iTunes can be legally bought elsewhere sans “crippleware”).
Apologies for my silence after returning to Cambridge. It’s taken me a few days to get up to speed and I’ve had an Equity mock exam to grapple with too. With that out of the way I can now dive into the term proper which promises to be a fairly intense one. Whether that means I become less or more prolific remains to be seen.
Shamini mentions that she’s been playing keyboards on her father and uncle’s musical endeavours. The Bundell Brothers describe their sound as “Contemporary & original English Folk / Roots”. You can listen to a couple of tracks from Stood on the Shore.