Meewella | Fragments

The Life of P

Category: writing (page 3 of 4)

The King

I always liked Return of the King but to be honest I never really understood why it was the one to gather up all the awards. Of the trilogy I saw Fellowship as being the visually incredible one with the breathtaking landscapes and scenic shots, while The Two Towers was the fantastic action-heavy accompaniment with the phenomenally lifelike creation of Andy Serkis’ Gollum. Watching it again however, I now understand the overall appeal of Return much better. It just has so many of those breathtaking moments, with the awesome lighting of the beacons, two of the most stirring cavalry charges ever, the beautiful (if strategically ill-designed) vertical city of Minas Tirith, and of course Legolas taking on an Oliphant in The Most Ridiculous Stunt Of All Time, Part III. And yet I still feel the whole trilogy was let down by its ending which is so unnecessarily self-indulgent. I’m pleased they chose not to end on a Hollywood post-battle high and yet they ignore the books’ own epilogue (many fans were disappointed to find no Scourging of the Shire in the extended edition) with the film seeming to run through about five different possible endings before ultimately reaching its conclusion. And here’s mine: there’s only so long that slow motion shots of hugging hobbits will hold my attention.

My previous post, I swiftly realised, was somewhat premature. I knew there would be some editing left after the “final” version was distributed but I wasn’t expecting the floods that arrived. Why is it that editors seem entirely unable to spot mistakes when, say, editing, until the entire article has been meticulously laid out already? Eventually, several marathon rounds of editing and image fixing due to last minute printing changes, at 6am I managed to get the whole file, now a massive 86MB (which makes me wonder about those “eNLaRGe yOUR PdF” emails – why on Earth would I want to make it larger?), off to our publisher to pass on the printers. It’s out of my hands and I’m officially done. In fact I’m under strict instructions from Steph not even to think about ___ _________ for at least a week. So now that my work is done and the time of printing has arrived, I suppose I shall go into the west and diminish or some such.

FahrenheitToby was rather incensed that Tycho over at Penny Arcade stole his thunder by announcing to the world the existence of a game that Toby discovered several weeks ago, the knowledge of which he imparted to me in great secrecy. I shall not make the same mistake and therefore give him full credit for the discovery of Quantic Dream’s Fahrenheit (or Indigo Prophecy if you’re outside Europe). Rather than merely coming up with a game engine that requires a plutonium powered computer, degree-level physics, or just a very big gun, they’ve taken the bizarre step of producing a genuinely new concept. You essentially play director in this occult murder mystery, controlling the key characters as the story unfolds and playing out each “scene” in different ways, taking care to keep their mental state under control. Brilliant use of split screen lets you see what’s going on elsewhere, placing much importance on timing.

Issue 1

The Cambridge GlobalistWow, it’s done! Finished. Over. There’s a distinctly strange feeling associated with naming a file, “CG Issue 1”. That’s right, I’ve just finished producing my first magazine. The next step is to send copies off to Yale for the Foundation bods to take a look over, along with proofreading by the rest of the team here. But I now have a full Acrobat file with the entire magazine. Well actually I have two: the high-definition version for the printers is too large to move around, weighing in at a little under 38MB, so most people will be seeing its sprightlier 2MB cousin.

It’s been a pretty wild ride putting this together literally from scratch. Whilst thoroughly enjoyable, it was a real slog towards the end, especially with the palaver over the themed section that resulted in me seeing the final draft of one article for the first time this morning (I won’t miss the working ’til 3am or the not eating ’til 5pm). Steph’s been awesome and really kept me going through a lot of it, and the rest of the editorial team have done a great job despite being spread across several countries and continents. The sun, it would seem, never sets on The Globalist Empire. The down side being, of course, that more work can arrive at any time of the day or night.

After a well-earned celebratory rest (and probably a celebratory bottle of wine once the final version is sent off to the printers) there’s still some work that needs to be done on the website before we’re ready for the launch. I want to set up a newsletter to which people can subscribe to hear about new issue releases and the forthcoming launch party. I’ll be pestering Van, our publisher, for details about that and we also need to liaise regarding website adverts for our sponsors (absolutely no pop-ups, you can rest assured!). But other than that it’s finished. And trust me, you’re going to love what we’ve done.

Thanks to everyone who kept me sane over the last few weeks and see you at the launch party in October!

The Silent Force

Within Temptation - The Silent ForceA brand new copy of the digpak UK release of Within Temptation‘s new album, The Silent Force arrived this morning in an exemplary display of Play.com‘s efficiency (ordered on Thursday afternoon, dispatched Thursday evening, arrived Saturday morning and with free postage to boot). The album, besides looking gorgeous in this special UK digipak edition, is another phenomenal performance from the Dutch band. Maintaining the distinctive style that brought them acclaim in Mother Earth, this record sounds a lot fuller despite lagging with a slight repetiveness towards the end (though the orchestral arrangements actually improve). This is the band I often highlight as one of the main reasons I have no time for Evanescence and hopefully The Silent Force will be listened to by enough to dispel the “orignality of Evanescence” myth. Sharon’s voice remains as gorgeous and powerful as ever. “Angels” strikes a personal chord for me, hence being my favourite song from the album, and the previous single, “Stand My Ground” is a great rockier second choice.

While ripping the album to my computer I also made my first submission to the FreeDB CD database. It’s a freely available source of CD track information which is supported by a host of programs including the Nero burning software and Audiograbber, which is still the best CD ripping program around when combined with the LAME codec. This means you can pop in virtually any CD from your collection and click one button to send a request off to the database which will then provide full track information to the program in question. It covers compilation albums too and because its knowledge is based on its vast userbase, it holds thousands of obscure entries too. It was nice finally to be able to contribute since this album is a brand new release from a band a little out of the mainstream.

Globalist layout editingThe Globalist is taking shape properly now. I think we’ve passed the halfway mark in finalising article layouts. The photospread is done which is the part I was dreading in terms of painstaking positioning and text wrapping. Steph and I have been keeping each other going and make a pretty good team. A huge thanks to Lucille at Make Poverty History who secured us rights to use the photograph I wanted to use for the front cover (see early design). Yes, the first magazine I ever produce will have Fearne Cotton emblazoned on the cover! It should be suitably eyecatching methinks…

Baying For Blood

It has come to my attention that several of my acquaintances and, rumour has it, friends, have been to see The Island this summer. Allow me to offer my personal congratulations. Thanks to your gallant determination and willingness to throw money at yet more abominations like that, allowing the film to reach number two at the UK Box Office and gross almost £1.5 million in its opening weekend, we are virtually guaranteed yet another Michael Bay disastrous debacle of a summer blockbuster (the man seems to believe “summer blockbuster” is a legitimate genre of film). I hope you feel proud.

Of course, The Island does actually have several things going for it. At least it wasn’t The Dukes of Hazard, for starters. Scarlett Johansson’s presence almost convinced me that some of the plot’s intelligence may have survived the inevitable butchering, since she’s generally pretty discerning with her choice of scripts, but apparently in this instance my faith was misplaced (I would love to ask her what the hell she was thinking, since she must have known Michael Bay’s reputation amongst critics at the very least). More importantly, it’s the first of Bay’s films to be considered a flop at the box office compared to the studio’s expectations from their favourite summer cash-in boy. Here Burton’s magic has kept him at bay (so to speak) with Charlie and the Chocolate Factory while in the States he was upstaged by a bunch of penguins, for crying out loud!

Speaking of penguins, if you’re stuck for something to keep you occupied this summer, how about switching to Linux, the supervillain’s choice. I on the other hand am more than occupied with The Globalist. The dates given by our printers were changed pushing our schedule forward so that everything must now be finalised by the September 7th. Working on layout and typesetting I have to work as and when the articles actually arrive as well as sorting out photographs and associated copyright so it’s all getting rather hectic. That’s not to say it isn’t still fun, just fun in the same way as tourettes: liberating, but often rather inconvenient.

Found & Lost

The Cambridge Globalist | Volume I, Issue 1I’ve spent the last few days acquainting myself with Adobe PageMaker (frankly it’s a bit clunky, which is how I found their Acrobat Writer too, though I may give InDesign a go soon) and beginning to tweak the design templates I was sent by The Yale Globalist. The changes have been mostly minor so far, such as redesigning the footer. Not being entirely happy with their cover design I completely overhauled it to produce a sample that Steph loves (a lovely string of “wows”). Unfortunately, much as I’d love to slap a photo of Fearne Cotton on the cover of our first issue, I’m still chasing up the rights to that image. No promises but I’ll see what I can do…

ADeAdMan finally came out of hiding to sign the guestbook, apparently irked into action by my suggestions of ennui-induced deaths in Hull. He assures readers, “no-one has yet died from boredom in Hull. Quite the contrary. They all die from contact with the chav population, hatred of their city or prolonged exposure to rubbish. Or the high level of background radiation.” He’s not wrong about the chavs

Lost started airing on Channel 4 tonight and is shaping up to be an interesting show, as well it ought after the ridiculous amount of advertising it’s been getting. Then again, I suppose it’s worked given that it’s the first programme to tempt me back to broadcast TV in some time (although Sammy C piqued my interest back when it aired Stateside). I have also been watching Ricky Gervais’ new comedy, Extras but mostly by downloading it the following day. So if you missed the Lost pilot I’m sure there’s a torrent floating around somewhere to help you join in the — err, am I allowed to call a plane crash fun? Fun in the way that Battlestar Galactica (my other downloadable fix) is fun, I suppose, given that it’s about the near-extinction of the human race. Cheers me up.

Here’s Charlie!

The movie reviews here at P-2004 have been on hiaitus for a while but finally make their long awaited return, beginning with Charlie and the Chocolate Factory which I took my sister to see today. I’m happy to reprt that it’s yet another cracking Burton/Depp extravaganza. It was actually Steph, my editor at the (metaphorical) Globalist offices, who sparked me into writing a full review and hopefully there will be more on their way soon.

Near DarkMeanwhile several more Globalist branches have been popping up, the latest being in the University of Toronto and the Hebrew University of Jerusalem. This led to Steph being slightly concerned about the effect this workload may have on my health but I think her fears have been assuaged after voicing them. She gets back from Hong Kong in a day which will allow us to discuss things at a more seemly hour of the day from now on!

Having almost given up hope I finally managed to pick up a copy of the limited edition Near Dark DVD box from eBay, and it remains one of my favourite vampire movies. The uniquely genre-bending 80’s masterpiece never once uses the word “vampire” and is about monsters who don’t romanticise or expound about their situation; they’re just trying to get on with things. I also finished reading Excession this morning which I thoroughly recommend to any science fiction fans, and shall be moving on to Look to Windward shortly, possibly after a brief foray into one of several comic books that are lying around here…

The Man Who Was Thursday

The Man Who Was ThursdayI was supposed to be going along to a talk in London yesterday but what with the “incident” had to scrap those plans (although I was still up for going: my attitude is very much, “they’re my trains and I’ll bloody well use them if I want!”) and ended up at Curry Night which was actually pretty good as fallback plans go. Fleur and Ray are becoming regulars which swells the company nicely, although Chop was AWOL (well, without our leave) in Italy.

Earlier in the day Rawen, our contact at The Yale Globalist, let me know that he’d been in touch with the Peking University chapter in China and asked me to do some web work for them, adding yet another timezone to my hefty list. Fortunately they didn’t need a full site, just contact details and an editorial list. However, I’m just hoping that no one notices where I took the photograph that was used when I designed their banner

Lyds’ birthday party is tomorrow but has been struck repeated blows with both Cat and Dave unable to attend. I’m sure it will still be great fun albeit somewhat depleted by the absenses, especially with Rav also pulling out after yesterday’s events since he would be travelling down by train from Birmingham. Strangely my observation that it was quite safe since statistically trains only explode on Thursdays didn’t seem to placate him.

Actually after further discussion with my dad, he regards this statistical anomaly of two to be significant and suggests we send a copy of G.K. Chesterton’s The Man Who Was Thursday, which I’d just lent him to read, along to Scotland Yard as an anonymous tip-off, implicating Mr. Chesterton as the reprehensibly twisted mastermind.

Finally, for anyone who’s been following the recent Rockstar Hot Coffee controversy over the latest Grand Theft Auto game, Maddox has decided to offer his usual brand of amusingly inflamatory yet insightfully opinionated writing in the succinctly titled, “I just wanted a videogame, not eternal damnation in hell.”

Herr Bundespräsident

Since a large percentage of blogs around the world will be mentioning the boy wizard today, I figured I would too. The delivery man woke me up this morning when delivering my sister’s copy of the new book. I’m not happy.

Actually, my viewing figures are going to be pretty low today what with a lot of you reading the damn thing so now’s a good time to bury any news I don’t really want read. But I suppose that would be a rather cynical use of a children’s publication. Rav tried to complain that I’ve forgetten how to get excited about such things, but that’s just not true. People had to put up with me gushing about Sin City for over half a year before its release, forcing anyone who lingered too long in my room to sit through the ten minutes of leaked Comic-Con (strangely enough, this year’s is happening as I write) footage. I shan’t make the obvious Star Wars allusions as, despite being a big fan for long time and being drinking up The Clone Wars animated shorts pre-film, there are certainly bigger. But then there was the new season of Family Guy that had me buzzing for days about when I suddenly realised a real life (okay, cartoon) new episode would be on my screen in a week. There was the release of Bungie’s new opus, Halo 2 (see Lyds’ photographic evidence), and I was happy to add myself to its ridiculous list of pre-orders (£35 million in sales before release!). And, as with every Tim Burton release, I’m now tingling with anticipation at seeing Depp’s utterly unique incarnation of Willy Wonka. And there’s a little film called Serenity written and directed by this Joss Whedon chap that’s been wrapped for months but delayed and is finally out soon after I get back to uni (so TomTom and I can see it together after all). So I still get plenty excited, just about…well, the things that exite me. I wouldn’t expect you guys (except Chyde) to get excited about the eventual re-release of a R2 copy of La Cité des Enfants Perdus in French with English subtitles rather than the horrible dub, but I (and he) will be excited nonetheless.

Family Guy Live in VegasSpeaking of Family Guy, I recently came across the CD they released prior to the new season, Family Guy Live in Vegas and it’s fantastic. Actually edgier than the show since the lyrics escaped the censor’s “beep”, the album is a mixture of hilarious but overt faster numbers and some classy slower stuff reworked and sung by the gang. Seth Macfarlane’s voice is surprisingly smooth, especially when singing as Brian the dog.

In other news, after the cancelled shuttle launch on Wednesday several people seemed perplexed as to how T-20 minutes could actually be several hours before launch. Check out NASA’s Countdown 101 for full details of the pre-launch clock, which starts at T-43 hours a little over 3 days before launch.

And in closing, just for you Potter fans, next time you use the HBP abbreviation, remember it could be mistaken for High Blood Pressure, History-Based Predictor, Hit By Pitch (in baseball), Hydrogen Behaviour Program, or of course, Herr Bundespräsident. Just a thought.

In all seriousness, I have no problem with people’s excitement regarding young Harry. It’s cute. I’m just irritable because your book woke me up. Really.

Excession

A Lot Like LoveAlly and I eventually managed to meet up today, seeng A Lot Like Love. The film follows the chance meetings between its two romatically linked stars over the course of six years. Although I generally detest Hollywood’s sickly sweet and unrelentingly unrealistic romantic comedies, this was superb. Largely the film succeeded through the chemistry between leads Ashton Kutcher and Amanda Peet, the most palpable, realistic chemistry I’ve seen captured on screen since Before Sunset, and that’s saying something! Whilst certainly very cute, by dumping the usual 2-dimensional characters, manufactured script and postcard locations, it always feels genuine and retains an air of freshness and originality rather than being cliché and stereotypical (the clumsily artificial ending notwithstanding). Do see this film, if only to understand how the romantic comedy can still be done right.

After an amusing bout of clothes shopping with Ally (without actually purchasing anything) I headed to the park to read, something I haven’t really been able to do properly in the past year. My current book is Iain M. Banks‘ sci-fi Culture novel Excession. He’s one of the few science fiction authors who still writes intelligent utopian futures so it’s nice change from the action-orientated dystopias we’re used to. And then curry night. The usual suspects were there, along with Chop‘s sister and a friend from uni. All in all, it’s been a fun, sociable day off from my hectic schedule.

And perhaps the most touching thing about today’s film was that its most poignant line isn’t delivered through dialogue. Rather, it is signed by Oliver’s deaf brother Graham:

“This is your life, right now. It doesn’t wait for you to get back on your feet.
Your life, it’s already happening…”

Globalistfoundation.org

The week since I got back has been crazily hectic. Virtually all of my time has been focused on The Globalist project (hence no updates here!) but it’s finally taking shape and is looking to be pretty spectactular. Partly I’m exhausted from trying to have my mind in three places at the same time. Having finalised the first version of the Cambridge website, I was asked to create a site for the Sydney chapter based on that model. I then modified the Yale site with some new images while creating an index for the Foundation that led through to each chapter website. Naturally, existing in three different time zones does wonders for sleeping patterns. Not that I can argue mine was particularly good to begin with.

I’m currently working on my second forum in as many weeks. This one is based on the Downing Ball committee forum, albeit a little greener which has required a some simple extra graphic work. Mostly it’s just to ensure that when I’m tired I can still tell which forum screen I’m staring at, rather than dealing with two identical bluish designs!

One brief respite midweek was hanging out with Chyde who had the bright idea of a Das Boot-fest, watching the entire director’s cut of film in all its 4 hours and 40 minutes of glory. Set on board a German U-boat during the second world war, it’s certainly a fantastic achievement in claustrophobia with its very limited range of sets, despite the long running time. Wolfgang Peterson’s direction is excellent, with music that swells with the emotions of the crew leading to a magnificent surfacing sequence at the end. Definitely worth a watch, and doing so in one sitting actually adds something extra. His dad was nearly cheering by the end!

Well, I’m pretty brain-fried from too much late night coding and tweaking, so that now everything seems to take on an eerie bluish glow, not just my laptop screen. But it feels worth it, and in the past week The Globalist Foundation has really come to life as a truly international organisation. I’ll be back when my vision returns…

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"Civilization now depends on self-deception. Perhaps it always has."

(CC) BY-NC 2004-2023 Priyan Meewella

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