Meewella | Fragments

The Life of P

Year: 2025

Premaranee Meewella, 1956-2025

I wrote about my mother’s corticobasal degeneration syndrome diagnosis and recent, rapid decline at the start of the year. We were aware that her accelerated deterioration meant that she may only have a few months left with us — in fact it turned out to be a matter of days, and she passed away peacefully at home on Tuesday 21st January. Thankfully, my father, my sister and I were all able to be with her, even if she was non-verbal on her final day. Mum had made clear that she wanted to remain at home — something that I confess I thought may be unrealistic — and my dad has been incredible in caring for her in a way that granted her the manner of death she desired. With a disease that robbed such a strong-willed woman of both her independence and enjoyment of life, I am amazed by the dignity she exhibited and thankful that she did not have to suffer in that state for longer. Her funeral will be held on 13 February 2025.

Prema Meewella

Prema grew up in Chavakacheri in the Jaffna peninsula at the north of Sri Lanka, during a troubled period in the country’s conflict between the Tamil population in the north and the Sinhalese majority in the south. Her father died when she was still a child, and as a teenager she moved with her mother, Annaledchumy, and two older brothers, Chandran and Rajan, to the UK. In fact, unbeknownst to one another, she and my father arrived in the country just two days apart. They met at Imperial College where she studied maths and he studied engineering — had they remained in Sri Lanka they would likely never have met. She made a number of lifelong family friends at university with whom she remained close until her final days, but she also remained in touch with a number of schoolfriends from Jaffna. Maintaining family connections and friendships was important to mum and she made efforts to do so even as phone use — and then communication — became increasingly difficult. I think her skill was balancing genuine interest in the minutiae of people’s lives with a non-judgmental ear. This was most evident from the number of calls we received from Canadian relatives within hours of mum’s death, the news spreading rapidly across the diaspora network.

Her brothers’ families all settled around London and we have remained extremely close, attested by plenty of grainy home videos. By contrast my father’s family were spread around the globe and their marriage in 1981 gifted mum with an American sister-in-law, Manel, who became one of her closest friends. Mum was keen to ensure we felt as close to dad’s side of the family despite the distance and we made frequent trips to the USA and Sri Lanka. I remember first noticing in the USA how Mum positively lit up whenever she held children — initially with Jenna’s children — though none would induce that reaction moreso than her grandson, David. She also had a certain rebellious streak that I did not recognise as a child. It came out in the strangest ways like her compulsive cheating at games, and her inability to understand why others were so frustrated when — from her perspective — they had exactly the same opportunity to cheat.

Prema collage

I cannot think of my mum without also thinking of her delectable chicken curry — and her exasperation when I would sneak into the kitchen devour half of a freshly cooked batch that she intended to freeze, even if she recognised it as a compliment. Eventually she just wrote off a few pieces that she knew would go astray. That chicken has remained my comfort food as an adult, albeit my own recipe is a lazier method that produces a passable imitation. Without fail when I visited, and despite my protestations, mum would have several boxes of food to send home with me. In the last few years I had to remind her that I would much rather she was awake when I visited than have been slaving over a stove until the early hours of the morning!

Prema spent almost the entirety of her career at Philips as a computer analyst, save for a brief stint at The Woolwich because Philips would not hold a position for her when she took extended maternity leave — before ultimately realising that they needed her to return! Whilst she enjoyed great friendships with many of her colleagues, I am very thankful that she took early retirement so that she was able to enjoy herself before illness intervened. A sign of mum’s fierce independence was her decision to embark on a post-retirement solo road-trip through America. Many expressed concern at the dangers it might pose but she was undaunted. She loved to travel and explore, and I am particularly glad that she and dad took a trip to the Galápagos Islands (of which I and my camera are very jealous). Even after illness affected her balance, she would still walk several miles a day and organised a family hiking holiday to Wales — those holidays were a regular feature of my childhood, and I am glad that David was able to experience one with his grandmother.

Prema and David

I knew that mum was well-loved, of course, and expected the outpouring of condolence messages; what I had not anticipated was the number of photographs I would receive showing off mum’s creations. She was a talented seamstress and an avid cross-stitcher, and she was wonderfully generous with her skills. She loved to make dresses and sweaters for family members and as a child I remember being asked me to model them so that she could check sizes (though any suggestion that photographic evidence exists is pure conjecture). That generosity was not limited to family and many of my own university friends found their children gifted with handmade clothing. Perhaps more accurately, knowing how important those people were to me, she treated them as part of her family. The walls of my parents’ house are adorned with her highly detailed cross-stitch work, and I can easily picture her working on projects late into the night while watching Tamil films.

I already miss mum horribly but my view of death is that people are never truly gone as long as others continue to carry their influence and their impact into the world. In that, while we mourn her passing, it is also apparent that Prema will be around for a very long time indeed.

2024: A Year in Pigments

I spent much of my free time in 2024 painting miniatures, so that will be the illustrative focus of my recap to provide some colour in what has been a difficult year. Returning to this hobby after two decades was not simply fortuitous, but a way to find the meditative headspace I have needed to process recent family events. Some readers will be aware that my mother is seriously ill. Two years ago she was diagnosed with Parkinson’s and initially responded well to medication; that changed with a sudden, rapid deterioration and early last year she received a new diagnosis of Corticobasal Degeneration, a rare degenerative neurological condition, though diagnostic difficulties mean her precise condition(s) remain uncertain. Its rarity also means that the rate of deterioration is not well understood or predictable, and treatment is limited to temporary alleviation of symptoms. It is a strange thing to find a parent suddenly resembling your memory of a grandparent. My dad and my sister are with mum regularly so they have seen a gradual decline — as I travelled down at first every few months and then every few weeks, I experienced it in progressive bursts. I am incredibly grateful they they are able to do so much — dad as her primary carer and my sister living so close — but it leaves me feeling guilty that more falls on their shoulders purely due to geography.

Stripping and repainting the chunky models of the classic adventuring party from the 1995 Warhammer Quest box was a delightful reconnection with my childhood (recovered from my childhood bedroom since I was spending so much time back at the house). These may be my favourite set this year, particularly with those bold and vibrant primary colours of the 90s in comparison to the darker hues in much that I have painted recently. I do want to embrace more of that vibrancy in the coming year.

Others have travelled a long way to see mum. Kirsten flew over from Germany for a visit which meant a lot to mum. Several of our American relatives visited over the course of the year, and Jenna stayed with me for a week in October specifically to help with mum’s care. She observed the particular unfairness that this disease has taken away mum’s use of her hands, preventing her from enjoying her talents in cross-stitch and sewing. It made me particularly aware of the fact that, consciously or unconsciously, I was seeking refuge in a hobby based on fine motor skills. It has made me particularly aware that I should embrace it whilst I am able, something I had only previously considered in terms of vision.

The newer Warhammer Quest: Cursed City heroes are far more delicate and detailed. The elf and dwarf are probably the models I painted to the highest quality finish this year.

Perhaps most difficult has been mum’s declining ability to communicate. Unlike “traditional” dementia, she is generally very present and able to follow what is happening around her, but translating thoughts into speech takes significant effort, frequently becoming stuck in loops of repeated phrases. I am glad that we managed to discuss mum’s wishes regarding future treatment early on and — following my experience with a friend’s father — put in place Lasting Powers of Attorney. I highly recommend others in a similar position doing so early rather than waiting and finding that communication has become problematic. Had we waited even a few months, it would have been significantly more difficult to be certain that she understood what she was agreeing and that we understood her wishes. For those in the UK, the forms are freely available and I am happy to provide help with them.

One side-effect of hiding away at home and painting has been seeing markedly fewer films in the past year. Coupled with many of the latest releases not hitting streaming services as swiftly, I have opted not to produce a top 10 list as I have for the past couple of years because it feels like I have missed too many. However, it has still felt like a weaker year for cinema generally, with few of those I have seen even achieving an 8 or 9 rating, let alone a 10. I am comfortable that the three I awarded a 9 were the best that I was likely to see in 2024 — Anora, Dune: Part Two, and The Outrun. An honourable mention to The Fall Guy as the most fun I had in a cinema. The worst I saw was, by some margin, Madame Web, which fully deserved its widespread derision.

It can be pleasant to lose oneself for a hour in tiny features like the noble’s hand mirror or weathering the leather of the witch hunter’s belt versus the lighter patina on the ogre’s.

In April I returned to Cambridge for the first time in years for a 20th anniversary dinner at Downing. Although it was shared with the ‘4 cohorts from multiple decades, ours was by far the largest contingent followed by Graham Virgo’s ’84 year, following his recent ascension to Master of the college. Many I spoke to were slightly apprehensive about who would be attending but it turned out to be a lovely crowd through self-selection — those who were less likeable had less reason to attend.

Toward the end of summer, I holidayed with the university crowd in Minehead, a choice that drew interesting reactions from my colleagues, particularly once they discovered I was voluntarily subjecting myself to a house full of kids. It was a lovely week, the child count now increasing to five with Shamini’s recent addition to the crew, but with sufficient adults to keep them entertained. My nephew was jealous of the steam railway in a year that has seen his reading material include a book cataloguing the UK’s current rolling stock.

I may have scant interest in sport but its artificial competition based on arbitrary rules has much in common with tabletop games. Blood Bowl combines the pageantry of American football with the violence of Canadian ice hockey in a fantasy world.

During the year I managed to attend a couple of live gigs but each time it seemed to take phenomenal effort to drag myself out. Aurora was superb as always, though the overcrowded charity gig at Lafayette — where I was treated like a criminal by security for having a camera in my bag — was a far cry from my previous experience at the Brixton Academy in 2022. Miranda Sex Garden recently reformed after two decades and their show was a far more relaxed affair. It was the first time I have seen the ethereal gothic rock band whose romantic/haunting Carnival of Souls album I still return to. Hopefully the coming year will bring more gigs, though I suspect I will be increasingly selective about venues. I have been using Songkick to track artists in one place and receive notifications when they play London shows.

Staying shut away in 2024 was, I think, necessary for me to process things which required time and stillness. I will be continuing to paint in the coming year, but my goal is definitely to force myself out into the world again, whether for films, shows or otherwise.

I have always liked the unruly greenskins and they are particularly fun to paint with their exaggerated proportions and distinctive silhouettes as well as their cartoonish brutality, like the troll who has snatched up an unsuspecting goblin rather than merely the ball.

"Civilization now depends on self-deception. Perhaps it always has."

(CC) BY-NC 2003-2025 Priyan Meewella

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