You have probably noticed the distinct lack of blog posts (or perhaps you haven’t — there have been some other significant things going on in the world); I have essentially managed four since the start of lockdown over a year ago, and nothing in the last five months. At the start it was easy to explain: I didn’t want to post positive platitudes that I barely believed, nor did I want to wallow self-indulgently in my own lockdown malaise when everyone was experiencing their own difficulties, whether living alone or in claustrophobic company. The real reason ran deeper: my focus was shot, and my thought processes had become so fragmented that the sheer effort required to compose more than a paragraph of coherent text at a time seemed impossible. So, what would I have said?

It’s April 2020 and the reduction in my meat intake over the last two years has almost entirely reversed only a month into lockdown. I had cut my meat in take by around 50% before the pandemic, primarily because of the hypocrisy of espousing environmental concern given the carbon footprint of a borderline carnivorous diet. Abandoning this was less a conscious choice than the ease of and desire for the comfortingly familiar. That, and take-away delivery. During the first lockdown I cooked almost entirely for myself. By the second lockdown, Deliveroo and Just Eat were regular features, with the dual middle class guilt of relying on someone else adopting the risk of infection outdoors whilst I remain home, and the disposing of armfuls of single-use food containers. But hey, I haven’t flown in two years so overall my carbon footprint is way down.

It’s May 2020 and I’ve been consuming a lot of TikTok. The target demographic may be younger than me but there are increasing numbers of older content creators. Most importantly, there’s plenty of creativity and – as far as social media goes – it’s far healthier than hours of doomscrolling through twitter or Instagram. For related reasons, I refuse to watch the Government’s perfidious press briefings on the pandemic: reading the news coverage dissecting it afterwards is probably more informative and certainly less draining on my mental health. Consumption is far easier than creation; I can’t write anything of significance (much as I want to contribute to the dialogue around structural racism), so digital illustrations have been my outlet, whether they are simply portraits or more meaningful. They may take a dozen hours to produce, but at least it can be done whilst binge-watching a TV series.

It’s June 2020 and I haven’t interacted in person with anyone who isn’t a grocery store clerk for two and a half months. It is definitely the lack of social — and physical — contact that I find the hardest. Being in the flat for around 9 days at a time between trips to restock the fridge is weird but has not left me feeling particularly caged as I can still journey into all manner of worlds through videogames and films. Meanwhile my hair is nearing a length one might consider “grown” rather than merely uncut. My goal is to avoid getting it cut until we reach the inevitable second lockdown, which should allow it to reach a length where I can tie it back neatly. This is the only time it is socially acceptable for me to grow out long hair in my line of work, so I may as well take advantage of it. A boar bristle brush and Moroccan Oil have been vital tools in taming the longer locks.

It’s July 2020 and my concentration is shot. I seem just about able to function for work, though working from home and living alone has blurred any distinction around the end of the work day. Which is not to say it’s bad — saving hours of commuting a week and never worrying about being late are serious benefits; the issue is more the general expectation that you’re contactable most of the time rather than when in the office. Plus there’s the matter of air conditioning. I want to write more, to engage with our shared experiences worldwide through this pandemic, but I can’t. QuickViews are about all I can manage. At least that means I’m still producing Content™. That’s important, right? I remember Content™ being important.

It’s August 2020 and I find myself helplessly torn between the desire to contribute to small businesses told that they can reopen and the personal conviction that the Eat Out to Help Out scheme is dangerously ill-conceived. I made a joke about it not applying to strip clubs which was uncouth but also probably the best thing I’ve written this year. It seems that there is a desperate desire for a return to normality shared by the entire population but the looming disaster of a worse collapse if we reopen too early is only recognised by half. That is not nearly enough.

It’s September 2020 and spending one day a week in the office (primarily to ensure I can provide a better training experience to my trainee) has finally reduced the extent to which the days and weeks merge entirely into one another. It’s a welcome change, even if it can’t last.

It’s October 2020 and we’re preparing for a second national lockdown. Only six weeks late. The fixed 2nd December end date is worrisome as I suspect Johnson is determined to reopen no matter the circumstances in order to enable several weeks of pre-Christmas shopping, even if it forces us straight back into an even longer lockdown. How some people still support these self-serving clowns is beyond me, with literally billions wasted on failed test and tracing and openly corrupt contract awards. Oh, and the dead, who are becoming almost a footnote.

It’s November 2020 and this lockdown has been far more bearable with weekly visits from my sister and nephew. When others reminisce nostalgically about the first lockdown, it is very clear they did not live alone before “social bubbles” were permitted.

It’s December 2020 and I hate being right. After a few pointless weeks out of lockdown, I will be spending Christmas alone, although I will get to see my sister’s family on Boxing Day. A care package from a partner at work filled with gin and old fashioneds definitely makes me feel appreciated. It’s better that it’s me rather than anyone else — after all, I have had to do it before, exactly ten years ago. Let’s hope Christmas 2030 fares better…

It’s January 2021 and my concentration is shot. Did I say that already? I have started world-building as a creative outlet, fleshing out an alternate version of London or fantasy kingdoms for use in roleplaying games. The advantage is that I can produce just a single card at a time and gradually build things out over weeks and months. I don’t know that I will actually run games using these worlds. Perhaps later I will write stories using these settings; for now, the act of creation is the goal in itself.

It’s February 2021 and I can feel myself starting to unravel with built-up stress from work and no way to blow off steam. I haven’t been drinking excessively at home (my overall intake has dropped rather than risen over the past year, the opposite of my expectation given that the flat is very well stocked with booze) and I don’t think it would help. My sleep cycle remains pretty broken. I have fully grown into the “lockdown Jesus” look.

It’s March 2021 and it has been the best (worst?) part of a year spent inside. The vaccination rollout provides a reason to be optimistic; the COVID variants appearing do not. It’s a good thing that Brexit was all about taking back control of our borders so that, a year into a literal global pandemic, naturally the Government is only now discussing the feasibility of closing the borders, the one thing any casual player of Plague, Inc. knows is incredibly effective for an island nation. It has been a long and exhausting year and yet, through the repetitive monotony, I struggle to recall much at all beyond the shared cultural touchstones like The Tiger King. Perhaps if I sat down and tried to diarise it…

It’s—

Recreating inside a photo I took outside just before the start of lockdown: in the London-set Watchdogs Legion (top) and the Outside World (bottom).