Meewella | Critic

According to P

Tag: Zak Penn

QuickView: Free Guy (2021)

Free Guy quad poster

“Hey, I’m here with my best friend, trying to help him through a tough time. If that ain’t real, I don’t know what is.”

Buddy

The Truman Show for the digital generation, Free Guy imagines a videogame NPC becoming self-aware and breaking free of his scripted routine, commenting on the way we live our lives as well as our treatment of virtual characters. The videogame conceit lends itself to cameos from big-name streamers but the creative freedom offered by Free City’s virtual environment is spent predominantly on ostentatious Fortnite-esque visual effects rather than memorable action. Ryan Reynolds is ideal as the charmingly guileless everyman as is Jodie Comer in a more nuanced role as both a player and a programmer with her own agenda, but the film leans too heavily on the likability of its characters at the expense of smarter social commentary. On the tech side, Free Guy is to AI what Hackers is to hacking — this is designed to be surface-level entertainment and swiftly falls apart on deeper examination. Despite its cartoonish violence, this is a summer blockbuster fun filled with genuine warmth.

6/10

QuickView: Ready Player One (2018)

“This is the OASIS. It’s a place where the limits of reality are your own imagination. You can do anything, go anywhere.”

Wade Watts

On one hand, Ready Player One is a better adaptation than it has any right to be; on the other, it is unsurprising that a book I described as “80s nostalgia-flavoured candy floss” has produced a film with little substance or residual impact. The virtual world of the Oasis is impressively realised in a sharply vibrant way. By contrast the real world is shot with an intentionally muted, softer look that makes it actively less engaging. The greater struggle, though, is that there is little logical coherence to ground those parts of the story. Similarly, both 80s and modern pop/gaming culture references are thrown at the screen haphazardly in the hope that name recognition is enough. Even Wreck-It Ralph engaged with the characters it picked. The initial world-building and the first challenge are engaging, but my interest largely fell away until the film’s closing. I’m glad I saw this spectacle in a cinema; I doubt I ever need to see it again.

6/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

Up ↑