Meewella | Critic

According to P

Tag: Tony Hale

QuickView: Inside Out 2 (2024)

“Riley’s life is more complex now. She needs more sophisticated emotions than all of you. You’re just not what she needs anymore.”

Anxiety

In 2015, Inside Out’s anthropomorphised emotions were a rare beacon of creativity in the midst of a Pixar slate populated by sequels. Now itself a sequel, Inside Out 2 loses some of that freshness — as well as director Pete Doctor, who went on to helm Soul — but it builds effectively on the original’s premise with a meaningful story to tell. With Riley now 13, puberty brings a flood of new teenage emotions — Anxiety, Envy, Embarassment, and Ennui — coinciding with a trip to ice hockey camp. The external coming of age story is familiar and rote; inside, Anxiety and Joy vie for control, with competing ideas about the person Riley should be. Despite a handful of cast changes, the voice acting is wonderfully engaging throughout. Visually, Inside Out 2 replicates the inner world of its predecessor without showing much new. The notable exceptions are two characters in Riley’s memory depicted in different art styles — a 2D children’s cartoon parody and a moody videogame protagonist. Their brief inclusion, whilst humourous, seems almost perfunctory and it stands in contrast to the cleverly blended animation styles found in titles like Across the Spider-verse or The Mitchells vs the Machines. This is an enjoyable but lesser sequel, then, but it contains a worthwhile message for adolescents that personality is multifaceted, a holistic reflection of our experiences and emotions.

7/10

QuickView: Nine Days (2020)

“Good memories, bad memories, they’re all just the same right now. It still hurts…”

Will

Japanese Brazilian writer-director Edson Oda has a bold and distinctive voice in his debut feature, a contemplative piece about the nature of living as a human. In an isolated house on a beach, a fastidious man named Will interviews souls for a chance at life on Earth, his living room filled with a wall of CRT television screens showing real-time first-person perspectives of those he previously selected. It is the ultimate cinematic contrivance to experience others’ lives through an audiovisual medium, but the archaic technology (Will also records and rewatches his favourite moments on VHS tapes) assists in crafting an otherworldly suspension of disbelief. The primary issue with Nine Days’ conceit is that souls without the experience of life cannot provide meaningful answers to Will’s questions; rather, the selection process is background noise to illustrate Will’s own thought processes — hurt by his own life experience, he seeks those tougher and less sensitive than himself — whilst not really engaging with the inherent cruelty of judging others’ right to live. Winston Duke’s performance radiates the quiet pain of a man hurt by life and unable to forgive himself for perceived failure. However, it is Zazie Beetz that draws in the audience with her intriguing portrayal of a new soul — guileless, and yet intuitively understanding life. Nine Days is likely to strike a chord with certain viewers who find their worldview affected. I found no such profundity, but I would be very content to experience further meditations that Oda may wish to design.

7/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2025 Priyan Meewella

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