Meewella | Critic

According to P

Tag: Taika Waititi

QuickView: Lightyear (2022)

“To infinity…”

Buzz Lightyear

Lightyear is the real film based on the fake toy from a real movie who thinks he’s a real person from a fake film which they have now really made. That convoluted (yet technically accurate) description demonstrates how unnecessary a film this is, but as Pixar exhausts the Toy Story franchise it is now looking to spin-offs for brand recognition. Based on the animation style, Lightyear would presumably have been a live-action film within the fiction of the first Toy Story, and perhaps fittingly it feels like an utterly generic sci-fi family film from the 1990s as Buzz takes on robot antagonists with the help of a handful of rookie Space Rangers. There is much to appreciate visually, from soft lighting diffusing through varied skintones to the weathering detail on aged space suits. Technical merits aside, this may be one of the least ambitious stories Pixar has ever told. Although it briefly sets up an interesting time dilation concept as Buzz tests hyperspace fuels, years passing each time he returns to the planet, Lightyear exhausts its creativity within the first act. In two hours it does little to advance Buzz’s character beyond a touchingly poignant gloss to his most famous catchphrase. Though unlikely to be profitable directly, Lightyear will presumably succeed through merchandising with a varied set of space-suited characters and a very cute robot cat, and perhaps Disney’s budgeting requires the studio to make a film like this to fund others like Soul. I am not sure there is quite enough here to keep kids fully entertained for two hours; adults, even accounting for nostalgia, will certainly feel like they have seen this all before.

6/10

QuickView: Thor: Love and Thunder (2022)

“Kids, get your popcorn out. Let me tell you the story of the Space Viking, Thor Odinson.”

Korg

Thor: Ragnarok was a vibrant breath of fresh air in the stiffly solemn world of Thor movies. With Taika Waititi returning to direct, Love and Thunder maintains this approach to colourful, fast-paced storytelling (with entire planets apparently ending up on the cutting-room floor). Its themes hew closely to its title, Thor grappling with the idea of Jane taking up the mantle of Mighty Thor serving as a metaphor for navigating friendship with exes (and axes). Natalie Portman was vocal about the misuse of Jane Foster in the early Thor films, but this script provides the character with agency, as well as emotional and comedic range. By contrast the Guardians of the Galaxy play a surprisingly perfunctory role at the start of the film, primarily for Quill to nudge Thor toward finding a family of his own. Like Multiverse of Madness, the film suffers from another single-minded villain, despite the God Butcher’s moving introduction showing the root of his Kratos-like rage. At its strongest, Love and Thunder‘s visual effects take us to some fantastic locations, from the gilded opulence of Omnipotence City to the desaturated Shadow Realm with Sin City splashes of colour, whilst the action is set to a couple of suitably electrifying Guns n’ Roses songs. The result is lightweight family entertainment that underscores the MCU Phase 4’s lack of direction with a half dozen standalone movies and countless hours of Disney+ TV shows not building toward any visible greater purpose.

6/10

MCU Phase 4: Black Widow | Shang Chi and the Legend of the Ten Rings | Eternals | Spider-man: No Way Home | Doctor Strange in the Multiverse of Madness | Thor: Love and Thunder | Black Panther: Wakanda Forever

QuickView: Free Guy (2021)

Free Guy quad poster

“Hey, I’m here with my best friend, trying to help him through a tough time. If that ain’t real, I don’t know what is.”

Buddy

The Truman Show for the digital generation, Free Guy imagines a videogame NPC becoming self-aware and breaking free of his scripted routine, commenting on the way we live our lives as well as our treatment of virtual characters. The videogame conceit lends itself to cameos from big-name streamers but the creative freedom offered by Free City’s virtual environment is spent predominantly on ostentatious Fortnite-esque visual effects rather than memorable action. Ryan Reynolds is ideal as the charmingly guileless everyman as is Jodie Comer in a more nuanced role as both a player and a programmer with her own agenda, but the film leans too heavily on the likability of its characters at the expense of smarter social commentary. On the tech side, Free Guy is to AI what Hackers is to hacking — this is designed to be surface-level entertainment and swiftly falls apart on deeper examination. Despite its cartoonish violence, this is a summer blockbuster fun filled with genuine warmth.

6/10

QuickView: Jojo Rabbit (2019)

Jojo Rabbit poster

“You’re growing up too fast. Ten-year-olds shouldn’t be celebrating war and talking politics. You should be climbing trees and then falling out of those trees.”

Rosie Betzler

It’s disappointing to have to call a satire of Nazism timely two decades into the twenty-first century, but such is the present state of the world. Taika Waititi’s Jojo Rabbit is frequently funny in skewering inane propaganda-driven views of Jews and the Allied armies, though its satire is content to show up these ideas as ridiculous rather than delving much deeper. It is heartbreaking to see a child manipulated into such baseless hatred and the film’s dramatic side is far darker. These tonal shifts are often jarring, leaving the film a somewhat disjointed experience rather than feeling like a cohesive whole. The script often feels like one of Wes Anderson’s weaker projects but Waititi’s direction and his caricature of Hitler (as the the titular Jojo’s imaginary best friend) keep things energetic throughout. Ultimately, however, despite at least one dramatic punch, a weak resolution takes the sting out of the satire, leaving little to take away from the experience. Except that Nazism is ignorant and stupid. So that’s good.

6/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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