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Tag: Ryan Reynolds

QuickView: The Adam Project (2022)

“Sometimes it pays to be a nerd, guys.”

Louis Reed

Since the underwhelming Bright in 2017, Netflix has been chasing a big budget action film success in vain. Yet, with big name stars drawing high streaming figures, Netflix now seems content with a regular cadence of generic and largely forgettable films instead, and that is the mould for The Adam Project from director Shawn Levy (teaming up again with Ryan Reynolds after last year’s Free Guy). Its loose time travel mechanics are forgivable but its greater flaw is laziness in establishing its sci-fi world. We never really get a sense of the stakes in 2050, or how the existence of time travel has changed the planet, and a direct reference to The Terminator serves only to highlight The Adam Project‘s comparatively weak world-building and derivative story. The action is competently choreographed, with a few memorable moments using futuristic energy and sonic weapons. A more serious tone also allows Ryan Reynolds to deliver a more emotionally nuanced performance than Free Guy, particularly in the regret Adam feels when faced with how he treated his mother as a child. Unfortunately, with the exception of Walter Scobell as his younger self, the excellent supporting cast is wasted on characters that are never developed beyond sketches. The Adam Project is enjoyable but will be forgotten within a few months.


QuickView: Free Guy (2021)

Free Guy quad poster

“Hey, I’m here with my best friend, trying to help him through a tough time. If that ain’t real, I don’t know what is.”


The Truman Show for the digital generation, Free Guy imagines a videogame NPC becoming self-aware and breaking free of his scripted routine, commenting on the way we live our lives as well as our treatment of virtual characters. The videogame conceit lends itself to cameos from big-name streamers but the creative freedom offered by Free City’s virtual environment is spent predominantly on ostentatious Fortnite-esque visual effects rather than memorable action. Ryan Reynolds is ideal as the charmingly guileless everyman as is Jodie Comer in a more nuanced role as both a player and a programmer with her own agenda, but the film leans too heavily on the likability of its characters at the expense of smarter social commentary. On the tech side, Free Guy is to AI what Hackers is to hacking — this is designed to be surface-level entertainment and swiftly falls apart on deeper examination. Despite its cartoonish violence, this is a summer blockbuster fun filled with genuine warmth.


QuickView: Deadpool 2 (2018)

“Family was always an f-word for me.”


Like the Guardians of the Galaxy sequel, Deadpool retains his confident swagger but has lost some of his disruptive freshness. The humour remains edgy and wonderfully delivered, and the film maintains its ability to surprise, despite straining with the attempt to tell a larger story. Domino is a fantastic addition and her “lucky” superpower allows for the most creative action sequences. In some ways the film serves as an argument against Disney’s acquisition of Fox, so that Deadpool can take equal potshots at DC and the MCU from the sidelines. Deadpool 2 also makes far better use of a post-credits sequence than Marvel has managed of late.


Buried (2010)

Burieddirector: Rodrigo Cortés
writer: Chris Sparling
starring: Ryan Reynolds
running time: 94 mins
rating: 15

Opening with half a minute of black-screen silence, at first glance Buried could be mistaken for self-indulgent filmmaking. As if someone saw the “buried alive” scene from Kill Bill, Vol. 2 and simply wondered what it would be like to extend that to an entire film. Somehow the result, despite its limited range, proves one of the most compelling – if not actually enjoyable – experiences of the year.

Paul Conroy [Ryan Reynolds] is an American truck driver working in Iraq. After an attack on his convoy, he awakes to find himself trapped in a wooden coffin buried underground. His only tools to find rescue are a lighter, a torch and mobile phone, with limited signal and battery life.

BuriedAs the sole actor on screen, the entire film rides on Reynolds’ performance and it is mesmerising. The viewer feels every emotion as his predicament elicits fear, frustration, anger and despair.

The bold decision to keep the entire film restricted to this single box, rather than using flashbacks or cutting to those with whom Conroy communicates, creates a visceral atmosphere that is certainly not suitable for those with claustrophobia. Yet, incredibly, Cortés never loses his audience’s interest through monotony Clever camera placement and shifting angles create variety, along with altered lighting from the static torch, flickering lighter or soft glow of the phone screen.

BuriedThe supporting characters are merely disembodied voices, but provide an opportunity for Reynolds to engage with others. The viewer swiftly fills in these characters and they seem as real as many characters one might normally expect to occupy the screen.

From the opening shot it is clear that Buried is something very different, focusing on atmosphere and mood rather than plot or gore for its twisted suspense. For an hour and a half the viewer feels trapped inside the box with Conroy and while that may not be pleasant, it certainly leaves a lasting impression.

rating: 3.5/4

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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