Meewella | Critic

According to P

Tag: Roman Osin

QuickView: The Warrior (2001)

“There’s blood written on your face.”

Blind woman

British-born director Asif Kapadia is now best known for his award-winning documentaries Amy and Senna but he ambitiously opted to shoot his first feature in the deserts of Rajasthan and the Himalayas. Kapadia’s influences are immediately evident — the warriors in service of a a tyrannical lord echo the samurai films of Akira Kurosawa (an early draft was set in Japan) whilst the stunning desert landscapes draw from Sergio Leone’s Westerns. Blending these styles in a new location feels sufficiently fresh, and Kapadia crafts a meditative and mythic atmosphere around a lone warrior seeking redemption. The titular warrior, Lafcadia, is the role that established Irrfan’s Khan’s career at a time he was considering quitting the profession, and he is perfectly suited to it — with scant dialogue, The Warrior relies on his world-weary face to do much of the storytelling, and Kapadia rarely misses an opportunity to focus on the weight behind Khan’s eyes. This requires the audience to fill in the narrative history and much of his inner struggle. In one scene the sight of a knife and the swell of music seem to incite Lafcadia to violence but what makes The Warrior stand apart is that he is ultimately a man finding his way to peace rather than vengeance.


QuickView: The Autopsy of Jane Doe (2016)

“There used to be a time it was hard to tell a comatose person from a dead one, so coroners tied bells to everybody in the morgue. So if they heard a ‘ting’, they knew somebody down there wasn’t quite ready to go.”


André Øvredal’s follow-up to his excellent Norwegian cult hit Troll Hunter is good by Western horror standards but underwhelming if you are not a particular fan of the genre. It does many things right early on, building tension in the enclosed confines of a morgue and spending time fleshing out its characters. Unfortunately it then falls back on routine jump scares as it races to an unsatisfying conclusion. An hour of good setup is wasted on an ineffective climax. That’s what Jane Doe said.


"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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