“Nod as I’m speaking to you. People are looking to me for reassurance and I have no idea what’s going on.”Georgy Malenkov
Mining the aftermath of Stalin’s death for comedy may seem an unusual choice, but the interpersonal relationships within the resulting political power vacuum are perfect for an Armando Iannucci farce. The film begins slowly, its pace gradually ramping with the characters’ paranoia, coming to a head at Stalin’s funeral. Steve Buscemi’s quietly scheming Khrushchev stands out, along with the wonderful excess of Jason Isaacs’ Field Marshall Zhukov. Like Veep, it lacks the bite of Iannucci’s television masterpiece The Thick of It but this is intelligently absurd cinematic comedy.