“You all keep talking about the city like it’s their prison. It’s not. It’s their kingdom.”Lilly (The Coyote)
In the saturated zombie genre, the proposition of a heist movie set in an infested Las Vegas sounds like a refreshingly fun time. Unfortunately Army of the Dead‘s neon-filled advertising is misleading; the set-up is enjoyable but by the time the crew is ready to enter the city, the atmosphere has already turned dour, heist elements swiftly falling by the wayside amidst familiar zombie action. Whilst it often feels derivative, the film owes more to Aliens than to other zombie films. I routinely forget that Zack Snyder’s debut feature (and one of his best) was the strong 2004 remake of Romero’s Dawn of the Dead. Zombies as a representation of mindless consumerism has been a genre staple for 40 years, and scaling up from a shopping mall to the Las Vegas Strip is a logical conclusion. This being a Snyder flick, the allegory is either very on the nose (money raining down during a casino firefight) or rather confused (it is the humans who are motivated predominantly by greed, whilst the “intelligent” zombies have other motivations). It all makes for a competent action film with plenty of gore and a few shocks, but there is little that we haven’t seen done better before.