“Mrs Brown says that in London everyone is different, and that means anyone can fit in. I think she must be right — because although I don’t look like anyone else, I really do feel at home.”
Ben Whishaw voices the marmalade-loving bear from darkest Peru with an adorable charm and naiveté that Colin Firth (previously considered for the role) would have struggled to bring. Paddington is a timely immigrant story about how we all benefit from embracing our differences. Much of this rests on Hugh Bonneville as Mr Brown, as he moves from initial mistrust to concern for his family to ultimate acceptance. The film is structured as a caper story culminating in an escape sequence with enjoyable nods for adult viewers to franchises like Indiana Jones and Mission Impossible. Of particular note is the surprising calypso soundtrack (the music of Notting Hill immigrants when Michael Bond wrote his books), with a band appearing around London to mirror Paddington’s mood.
“I don’t know whether to help you or euthanize you.”
Infuriating punctuation aside, this romantic comedy strives for greater quality and depth than its peers, even as it relies on familiar tropes. It is largely successful through acting talent and valuing thoughtful drama over laughs. Steve Carrell is allowed to make the newly single Cal sympathetic rather than a sad sack caricature. Where the comedy surfaces, it is typically wry rather than laugh-out-loud, with the best lines tending to have darker overtones. It is noteworthy that the central couple are a middle aged husband and wife who share remarkably little screen time. As is often the case with even the smarter rom coms, the movie struggles to find a conclusion and falls back on awkwardly saccharine displays, despite undermining the “grand gesture”.
“There’s two kinds of people in this world. There’s hammers and there’s nails. You decide which one you want to be.”
Another failed Will Smith vehicle, Focus opens as a slick caper movie with a group of con artists led by Smith and joined by Margot Robbie as a newcomer, both at their charming best. After the opening act, the remainder of the film switches gears to a longer con that lacks any real substance and does not fare nearly as well. It does succeed in keeping its audience guessing and does not quite overstay its welcome. Ultimately Focus is a briefly entertaining diversion if not much more.