Meewella | Critic

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Tag: Joey King

QuickView: Bullet Train (2022)

“Right on schedule.”

Prince

Bullet Train is a Tarantino-esque crime story that unfolds within the confines of a single train, populated by an ensemble cast of colourful assasins in the vein of John Wick. The ensemble cast excels in bringing these thinly sketched assassins to life, undermined only by some very dubious accents. Central to this is Brad Pitt’s charmingly hapless hitman-in-therapy, though Bryan Tyree Henry and Joey King are likely to be the most memorable. David Leitch’s action credentials are beyond reproach, having spent several decades as a stunt performer and coordinator (including as Pitt’s stunt double) before turning to direction with John Wick. He was apparently reluctant to direct this project because of the constraints in choreographing action confined in a train, but those restrictions can also breed creativity as we have seen previously in Snowpiercer and Train to Busan ⁠— such is the case with Bullet Train, and there is little sense of repetition in the kinetic hyperviolence until very late in the proceedings. The neon visuals of Leitch’s spy thriller Atomic Blonde also fit more naturally into the Japanese setting. The final element to holding the audience’s attention is the twisting story that gradually links the backstories of these assassins as they hurtle toward an ominous final stop in Kyoto. Along with Everything Everywhere All At Once, 2022 seems to be a welcome return for franchise-free action films and, in a quiet summer less dominated by superhero movies, hopefully Bullet Train will find the audience it deserves.

8/10

QuickView: Crazy, Stupid, Love (2011)

“I don’t know whether to help you or euthanize you.”

Jacob

Infuriating punctuation aside, this romantic comedy strives for greater quality and depth than its peers, even as it relies on familiar tropes. It is largely successful through acting talent and valuing thoughtful drama over laughs. Steve Carrell is allowed to make the newly single Cal sympathetic rather than a sad sack caricature. Where the comedy surfaces, it is typically wry rather than laugh-out-loud, with the best lines tending to have darker overtones. It is noteworthy that the central couple are a middle aged husband and wife who share remarkably little screen time. As is often the case with even the smarter rom coms, the movie struggles to find a conclusion and falls back on awkwardly saccharine displays, despite undermining the “grand gesture”.

7/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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