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Tag: Jason Statham

QuickView: Operation Fortune: Ruse de Guerre (2023)

“You can’t catch this fish with conventional lures.”

Orson Fortune

Jason Statham received his start in Guy Ritchie’s Lock, Stock and Two Smoking Barrels and Snatch, before going on to carve out his own niche in the action genre. Coming full circle, Operation Fortune is Guy Ritchie’s attempt at making a Jason Statham Movie™ with a convoluted title that exposes its franchise-establishing designs. Orson Fortune is a skilled private contractor hired by the British Government for foreign espionage with slick, jet-setting action, at its best when one character is up close aided by teammates’ chatter through an earpiece and conveniently placed sniper coverage. Hugh Grant is clearly enjoying his charismatic villain era, his womanising arms dealer’s movie star obsession bearing coincidental similarity to Javi in last year’s The Unbearable Weight of Massive Talent (shot in early 2021, Operation Fortune was originally slated for release in March 2022, but was shelved due to its distributor’s insolvency, also explaining the Ukrainian references that now seem odd in the current climate). Whilst not enough to address my usual criticism of Ritchie’s casting, Aubrey Plaza is more than a token woman, her tech specialist being an integral part of Orson’s team — Plaza delivers her usual brand of quirky awkwardness but cannot elevate some atrocious dialogue. Though the characters may be new, Operation Fortune has a tendency toward tedious familiarity and it seems unlikely that the equally mercenery whims of Hollywood will grant this sporadically entertaining team another outing.

5/10

QuickView: The Mechanic (2011)

The Mechanic quad poster

“Good judgment comes from experience and a lot of that comes from bad judgment.”

Arthur Bishop

The ingredients to establishing a Jason Statham franchise are all present: a euphemistic job title, terse dialogue, a convoluted plot of double-crossing criminals, and explosive consequences. I was hoping, then, that this remake of the 1972 Charles Bronson movie would deliver something like The Transporter. Statham excels at playing the straight man — in this case the kind of Hollywood-written hitman who studies actuarial tables for tips on undetectable murder — but The Mechanic gives him little to play off that doesn’t feel forced. Training the hotheaded son of his former mentor never makes sense for such a meticulously prepared individual, and he fails to recognise a painfully obvious double-cross because it would cut the film short by an hour. This would be forgivable were the pace of action high enough to prevent us noticing, but The Mechanic moves surprisingly slowly with little creativity on display, just smaller versions of familiar stunts.

5/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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