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Tag: James Gunn

QuickView: Guardians of the Galaxy Vol. 3 (2023)

“I’m done running.”

Rocket

From its downbeat opening with no sudden reset following the Infinity War, there is a sense of finality to Guardians Vol. 3, a rarity in comic book movies that serves to heighten threats as characters are stripped of impenetrable plot armour. Where Vol. 2 explored Quill’s origins, Vol. 3 focuses on Rocket with flashbacks to the cruel animal experimentation that created him (featuring the sweetest otter committed to film). Unfortunately the conceit that makes this relevant leaves Rocket separated from the team for much of the film, negatively affecting their dynamic particularly during action sequences — the smashy action is a far cry from the creativity Gunn unleashed in The Suicide Squad, and it is only in a corridor fight near the end of the film that we finally see the musically choreographed teamwork that elevated previous Guardians volumes. The Guardians are in their element during rollicking galaxy-traversing adventure and there is plenty here, which allows them to avoid the malaise of mediocrity that has characterised Marvel’s recent output. There are visually inventive new locations like a bio-engineered space lab, but also disappointing choices like the mundane (and nonsensical) Counter-Earth. Uneven pacing arises from a combination of the long running time, the repetitive flashback structure and the introduction of two antagonists — the egomaniacal High Evolutionary is driven by a single obsession whilst Adam Warlock, whose introduction was teased at the end of the previous film, is relegated to a background presence repeatedly crashing through walls. Gunn’s greatest skill is allowing emotional beats to resonate even within a comedic framework and, as he leaves Marvel to become DC’s Kevin Feige, this is a fitting send-off to a team that is unlikely to be seen in the same form again (I could have done without the perfunctory post-credit sequences). The Guardians trilogy has always been about family and loss, Vol. 3 capitalising on long-running arcs that allow characters to grow and find acceptance through letting go of their respective pasts.

7/10

MCU Phase 5: Ant-Man and the Wasp: Quantumania | Guardians of the Galaxy Vol. 3 | The Marvels | Captain America: New World Order | Thunderbolts | Blade

QuickView: The Suicide Squad (2021)

“Killing kids is kinda a red flag.”

Harley Quinn

Whilst it remains unclear the extent to which studio intervention caused the issues in David Ayers’ Suicide Squad, James Gunn’s follow-up has been billed as a soft reboot – in reality, with a number of returning characters it is essentially a direct sequel with a revised (and more consistent) tone. The key ingredient Gunn provides is his skill in writing dysfunctinal group chemistry which proved so successful in Guardians of the Galaxy. What makes The Suicide Squad excel is this in combination with beautiful visual flourishes and creative variation when it comes to the action, choreographed around the characters’ varying levels of power and skill rather than the godlike punchfests that have routinely plagued the DCEU. Viewers should be prepared for ridiculous ultraviolent excess — this is the sort of film where multiple people are literally torn in half — but it is fitting for a group of villains, and Gunn uses it to comment on American foreign policy. As pure entertainment, this concotion produces the best comicbook film in the past few years.

8/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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