Meewella | Critic

According to P

Tag: J.K. Simmons

QuickView: Palm Springs (2020)

“Today, tomorrow, yesterday — it’s all the same.”

Nyles

Palm Springs is the another addition to the recently expanding genre of time loop movies that owe a debt to Groundhog Day but, where many are merely derivative of the 1993 progenitor, Palm Springs succeeds in finding its own voice. Its greatest strength is a risk, trusting the audience’s intelligence by starting in medias res but doing so covertly — we swiftly discover that protagonist Nyles has already experienced this day many times before and the our knowledge is more closely aligned with Sarah (Cristina Milioti will be most recognisable from How I Met Your Mother) who is drawn into the loop. Palm Springs assumes cultural knowledge of Groundhog Day to allow exploration of the moral implications which emerged in its critical dissection over the subsequent decades. As disillusioned wedding guests, Milioti and Samberg are charming even in their characters’ more chaotic moments and they have plenty of chemistry, whilst a sense of mystery is introduced through the intermittent appearance of a homicidal J.K. Simmons. What makes Palm Springs such a delight is the variety on offer as it explores the multifarious psychological edges of this familiar fantastic circumstance, by turns nihilistic and joyous, calm and unhinged.

8/10

QuickView: The Accountant (2016)

The Accountant poster

“I like Dogs Playing Poker. Because dogs would never bet on things; so it’s incongruous. I like incongruity.”

Christian Wolff

Although it is equal parts a competent crime thriller and a character study of an isolated mathematician savant, The Accountant is essentially a disguised superhero movie that in some ways makes up for the fact that Affleck’s Batman will never see a solo outing. Christian Wolff’s “powers” are rooted in his autism and a childhood primed by his father to resist bullies. This manifests in rather more robust skills than the typical chartered professional, and a peculiar moral compass that allows him to work with some criminal enterprises in rooting out financial irregularities, whilst engaging in vigilante justice against others. The bursts of action are well-choreographed and blessedly free of jump-cuts. It is The Accountant‘s pacing as much as the violence which makes this a strictly adult affair. Although high-functioning autism has become a trope, it is handled here with some sensitivity and it would be reductive to boil Wolff’s character down to nothing more than “socially awkward Batman” (which is, arguably, just Batman). Affleck injects welcome nuance to his performance, particularly in his scenes with Anna Kendrick. However, the awkwardly preachy post-conclusion scene is… incongruous.

8/10

QuickView: First Snow (2006)

“Who chose this? A man makes his destiny, right? Nothing makes the gods laugh harder.”

Jimmy

A slow burn noir thriller as a confident salesman’s life is thrown into disarray after a fortune teller claims to have foreseen his imminent death. There is a pervasive sense of loneliness and isolation, accompanied by rising paranoia, with Guy Pearce delivering a performance reminiscent of Memento early in his career. Whilst the film serves as an interesting musing on destiny and control, it meanders more than it speaks.

6/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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