Meewella | Critic

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QuickView: Captain Marvel (2019)

Captain Marvel poster

“I have nothing to prove to you.”

Carol Danvers

Those words during a fight late in the film ring like a challenge to detractors who feel threatened by female-led blockbusters. What Captain Marvel ably proves is what most already knew — that the Marvel superhero formula works just as well with a female lead — making it maddening that it has taken until the penultimate film of the decade-long three-phase MCU project to release one. Unfortunately fatigue is setting in with that formula and, where Black Panther shook things up by raising the bar for social and cultural exploration in a comicbook movie, Captain Marvel is largely content to play it safe in a sea of 90s nostalgia. The musical choices from the era are notable, with female fronted acts like Garbage and No Doubt setting a fun and rebellious tone to match Danvers’ own. Brie Larsen is great, though hamstrung slightly by an origin story which has Danvers slowly piecing together her memories so that her personality does not really crystallise until late in the film. The classic superhero action is fun as ever despite virtually non-existent stakes once her incredible powers are fully unleashed.

7/10

QuickView: Tomb Raider (2018)

“I’m not that kind of Croft.”

Lara Croft

When Oscar-winner Alicia Vikander was cast as the iconic Lara Craft, many hoped that Tomb Raider might finally crack the elusive high-quality videogame-to-film adaptation. Sadly, those hoping for more than a generic action movie will be disappointed by the results. Although it broadly follows the story beats of the 2013 videogame reboot, the script presents this as an uninspired origin story in which our orphaned heroine bizarrely spends the first half hour moping around London as a bike courier, presumably in an effort to make the heiress more relatable. Meanwhile it omits many of the scenes that demonstrate Lara’s transformation into a survivor. Vikander does what she can with the material, but apparently “this kind of Croft” is bland and largely passive until she returns to London in the film’s final few minutes. It is telling that even Walton Goggins struggles to make his villain in any way memorable. Ultimately the film is strongest in its fan-service moments, which is rarely a mark of quality.

5/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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