“I still don’t understand the play.”
Augie Steenbeck
Wes Anderson’s recent films have begun to feel like pastiches of his own work. Asteroid City trades his usual literary trappings for theatrical ones, a meta narrative providing monochrome sequences — narrated by Bryan Cranston — about a play that is represented by a full-colour film in traditional Anderson style. The increased artifice makes it more difficult to connect with these characters who are now characters being portrayed by actors who are played by actors (with nothing quite so pithy as Tropic Thunder’s “I’m a dude playing a dude disguised as another dude.”). Ironically the most nuanced performance within the play is probably Scarlett Johanson’s… as a famous actress. The location, a desert town known only for its crater, feels less like a populated location than the empty shell of a theatrical set. It is unclear whether the 60s-era sci-fi technology is a deliberate anachronism or simple suited to Anderson’s aesthetic preferences. Although he blurs the edges at times, Anderson’s approach is neither as convoluted nor as ambitious as, say, Charlie Kaufman’s Synecdoche, New York. That makes it easier to switch off and enjoy the contrivance for what it is, but there is little substance here.
6/10
