Meewella | Critic

According to P

Tag: Danny Glover

QuickView: Jumanji: The Next Level (2019)

“Why does everybody keep dropping from the sky?”

Mouse Finbar

Where Welcome to the Jungle felt unexpectedly fresh, its sequel feels like a safe cash-in. As a direct sequel, The Next Level finds some additional mileage in the formula by mixing up the now university-age characters inhabiting the various videogame avatars, as well as throwing in two old folks for good measure. The most fun to be had is in Dwayne Johnson’s impersonation of Danny DeVito, replacing his adolescent awkwardness in the previous film with an irascible lack of awareness. At nearly two hours, The Next Level overstays its welcome despite some energetic action set-pieces. The premise remains frequently fun but weaker character arcs provide limited depth and what should feel wildly exotic feels disappointingly familiar.

5/10

QuickView: The Dead Don’t Die (2019)

The Dead Don't Die

“This is really awful. Maybe the worst thing I’ve ever seen.”

Chief Cliff Robertson

Not quite as mangled a mess as those corpses, The Dead Don’t Die is still a deeply disappointing waste of talent. Given his original take on the vampire genre with the exquisite Only Lovers Left Alive, I was excited by the prospect of Jim Jarmusch turning his talents to a zombie movie with an exceptional ensemble cast led by Bill Murray and Adam Driver. Sadly, the best cast ever to grace a zombie movie cannot combat a flat and uninspired script with little to say. Sure, the undead are drawn to their addictions in life so we are treated to moans of “Chardonnay” and “wifi” rather than “brains” but the social satire is stale for a genre that was built upon it — a voiceover about consumerism seems laughably derivative three decades after George Romero popularised that parallel. There is some humour to be found in the small town residents’ laid back attitudes leading to less panic than one might expect; however that same lack of energy does little to aid the viewing experience. Driver manages to inject a little charm as does Selena Gomez, but nothing here is memorable once the heads and credits roll.

3/10

QuickView: Sorry to Bother You (2018)

Sorry to Bother You poster

“Let me give you a tip. You wanna make some money here? Use your white voice.”

Langston

An off-beat comedy about white privilege, worker exploitation and personal greed, Sorry to Bother You is the impressive debut feature from writer/director Boots Riley, and stars the excellent LaKeith Stanfield (of Atlanta fame). Riley’s approach to unsettling the audience through the black perspective of navigating social interaction is reminiscent of Get Out, though he also channels Michel Gondry in his loose approach to realism, overtly referencing the director in a stop-motion animated sequence. It is the absurdist notes — like the fact that the “white voice” which propels Cassius’ career is not simply a posh accent spoken by Stanfield but is very obviously dubbed (by David Cross) — which demonstrate Riley’s unique voice as a film maker but arguably distract from Sorry to Bother You’s core messages.

7/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

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