Meewella | Critic

According to P

Tag: Daniella Pineda

QuickView: The Accountant 2 (2025)

“Chris, please explain to the normie: we need to finish what we’ve started.”

Justine

Christian Wolff’s introduction in The Accountant was a pleasant surprise in its blend of crime thriller and character study, provided one approached Wolff as a neurodivergent superhero. It has taken nearly a decade for him return, following a muted initial reception followed by a surge in popularity during the 2020 pandemic. The Accountant 2 sees Wolff working with his estranged brother and the film is at its best when Affleck and Bernthal are able to indulge in this odd couple social dynamic. The overarching human trafficking plot is not nearly as interesting and it dominates the latter half of the film. The Accountant may have been flippant in its approach to neurodivergence but now a team of autistic child hackers provides Wolff with a lazily literal deus ex machina. The Accountant 2 is louder and brasher than its more cerebral predecessor but ultimately the meandering script is nowhere near as consistent or compelling — the first half is enjoyable in its comedic incongruence but it lacks the momentum to maintain interest through to the conclusion.

6/10

QuickView: Mr Roosevelt (2017)

Mr Roosevelt poster

“There’s no way in hell you’re a bad person. You’re a good person… with really bad execution.”

Jen Morales

Noël Wells is most recognisable from the first season of Master of None, and the same endearing charm infuses her debut as writer, director and lead. This makes Emily a deceptive protagonist as it takes some time for the audience to realise how much of a self-involved mess she truly is, despite Emily turning up in her hometown with a single backpack and nowhere to stay after hearing her cat “Mr Roosevelt” is dying, on the assumption her ex-boyfriend will be happy to put her up. Wells’ personal familiarity with the city of Austin grounds the film, and allows for background commentary on gentrification. There are noticeable parallels with Zach Braff’s debut with the off-beat Garden State, in which he also took on the duties of writer, director and lead, and which features a struggling LA actor returning to their hometown. A key difference is that, where Garden State has (with hindsight) been accused of propagating the manic pixie dream girl trope, Emily is affronted when labelled “quirky” because it allows women not to be taken seriously. Mr Roosevelt is not so polished or assured as Garden State but its lack of stylisation makes it appealingly honest in its depictions of messy interactions as regular people try to help one another and improve themselves.

7/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2025 Priyan Meewella

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