“No matter what you say, eventually you’d replace us. That’s the law of nature.”
Concluding Caesar’s trilogy, we find the embittered chimp no longer confident in his intelligence and questioning his decisions as he succumbs to a desire for revenge. The titular “war” is something of a misnomer, though the antagonists are soldiers. Woody Harrelson’s Colonel is driven by a specific sense of purpose which sadly, because it is delivered through monologue, never receives real examination. This series has always questioned the extent to which humanity is defined by its intelligence and what it would take for mankind to recognise and respect that intelligence in another species. The final film goes one step further and poses the question at what point one loses that humanity, although there are few answers offered. It is easy to forget that half the characters are animated, such is the quality of the emotion conveyed through motion capture, led by Andy Serkis with a clearly demanding physical performance. Despite the extent to which it is employed, this is CGI used right, in service of the story.
“You’re a good man with a good heart. And it’s hard for a good man to be king.”
A triumphant take on the superhero movie that offers not just a new aesthetic (like Doctor Strange) but is steeped in black culture throughout. It bridges the divide between African and Black American culture but also pits them against one another, considering colonialism and interventionism from the perspective of the technologically advanced but isolated African nation of Wakanda, whilst recognising black anger that atrocities past and present are allowed to happen. It also does not shy away from ritualised displays of strength and violence, but they parallel the respect and empathy felt by T’Challa for his adversaries. Such nuance is unusual for a superhero, particularly one that is meanwhile challenging conventional Hollywood wisdom that a blockbuster with an overwhelmingly black cast would not be profitable.