Meewella | Critic

According to P

Tag: Alan Stewart

QuickView: Operation Fortune: Ruse de Guerre (2023)

“You can’t catch this fish with conventional lures.”

Orson Fortune

Jason Statham received his start in Guy Ritchie’s Lock, Stock and Two Smoking Barrels and Snatch, before going on to carve out his own niche in the action genre. Coming full circle, Operation Fortune is Guy Ritchie’s attempt at making a Jason Statham Movie™ with a convoluted title that exposes its franchise-establishing designs. Orson Fortune is a skilled private contractor hired by the British Government for foreign espionage with slick, jet-setting action, at its best when one character is up close aided by teammates’ chatter through an earpiece and conveniently placed sniper coverage. Hugh Grant is clearly enjoying his charismatic villain era, his womanising arms dealer’s movie star obsession bearing coincidental similarity to Javi in last year’s The Unbearable Weight of Massive Talent (shot in early 2021, Operation Fortune was originally slated for release in March 2022, but was shelved due to its distributor’s insolvency, also explaining the Ukrainian references that now seem odd in the current climate). Whilst not enough to address my usual criticism of Ritchie’s casting, Aubrey Plaza is more than a token woman, her tech specialist being an integral part of Orson’s team — Plaza delivers her usual brand of quirky awkwardness but cannot elevate some atrocious dialogue. Though the characters may be new, Operation Fortune has a tendency toward tedious familiarity and it seems unlikely that the equally mercenery whims of Hollywood will grant this sporadically entertaining team another outing.

5/10

QuickView: The Gentlemen (2019)

“If you wish to be The King of the jungle, it’s not enough to act like a king. You must be The King. And there can be no doubt. Because doubt causes chaos and one’s own demise.”

Michael Pearson

Every few years, Guy Ritchie attempts to rekindle the magic of Lock, Stock and Snatch with an East End gangster movie, in essence to prove that he can still make “a Guy Ritchie film”. My expectations were decidedly muted after repeated misfires like Revolver and RocknRolla, but The Gentlemen marks his most successful return to those roots to date. The usual ingredients are present: a talented ensemble cast, heavy sarcasm, drugs, violence and dark humour, this time channelled by a considerably better script. Hugh Grant’s unexpected casting as a scumbag investigator works well and, although his endless narration becomes tiresome, as a storytelling device it allows Ritchie to flex a little creative flair from scene to scene. Yet none of this feels particularly fresh 20 years later and old issues remain, with only a single notable woman as well as unnecessary and unchallenged casual racism (albeit from characters we are not supposed to like). Ritchie may once have shaken up gangster filmmaking but now he is only acting like a king, within an industry obsessed with repeating the past. Nevertheless, for fans of this particular style, The Gentlemen offers enjoyable if anachronistic entertainment.

7/10

"A film is a petrified fountain of thought."

(CC) BY-NC 2003-2023 Priyan Meewella

Up ↑