“You know what makes you feel okay about losing? Winning.”
Aaron Sorkin is one of a rare breed of screenwriters whose name can be the biggest draw in a film. Fans will be pleased by his signature style of sharp, rapid dialogue, applied here to the based-on-true events story of a woman who ran a high-stakes underground poker game, expertly using the tempo of language to build and relieve tension. Sorkin’s directorial debut, his approach is assured but not particularly noteworthy, with some unnecessarily convoluted time jumping. Jessica Chastain and Idris Elba both excel.
“Any other team wins the World Series, good for them. They’re drinking champagne, they get a ring. But if we win, on our budget, with this team… we’ll have changed the game. And that’s what I want. I want it to mean something.”
Billy Beane, General Manager of Oakland Athletic, bucks tradition by adopting statistical analysis to identify undervalued players to fill his team’s roster on a limited budget. Despite being based on a true story, we are given relatively little insight into the statistical philosophy behind “Moneyball”. There is plenty here to enjoy for those uninterested in baseball, but it is clearly designed to resonate more with fans of the game, with significant time dedicated to reliving Oakland Athletic’s winning streak. The film then meanders, uncertain how to conclude, and feels overlong as a result.