“There’s a whole world out there for you, Duncan. Don’t settle. Not yet.”Owen
The Way Way Back is a delight that has instantly earned a place amongst my favourite coming-of-age films, not because it breaks new ground but because it populates the familiar template with such well-realised characters that I am certain to rewatch it just to spend more time with them. This is perhaps more surprising from a pair of comedian writer-directors, Nat Faxon and Jim Rash (Community‘s Dean Pelton), who let the humanity drive the humour rather than the other way round. Our sympathy for Duncan arises not from his adolescent awkwardness but the difficult family dynamic of this summer holiday, coping with his parents’ divorce and the distance he feels from his mother due to her overbearing new boyfriend Trent. Shot with visual sheen of sun-drenched nostalgia, there is a sense of fortuitous absurdism in the ease with which Duncan is taken under the wing of workers at a water park and offered a job. Although the whole ensemble cast excels, Sam Rockwell’s performance as Owen is perhaps the key, acting as a counterpoint to Trent, immature but self-aware and unburdened by ego. The Way Way Back dserves praise for not seeking easy or fantastic resolutions to its more serious confrontation, leaving viewers with hopefulness rather than closure.