“I will avenge you, Father! I will save you, Mother! I will kill you, Fjölnir!”Amleth, The Northman
The Northman’s thin plot takes the barest bones of Hamlet — a son sworn to avenge his father and kill his usurper uncle — but succeeds in transplanting this revenge tale into a compellingly foreboding world of Norse mythology. Robert Eggers seeks verisimilitude not only in bringing to life Viking reality but also their mythology and ritual practices. Atmospherically akin to The Green Knight, the pacing requires patience though Viking violence provides more action. The budget and scale may have increased dramatically from Eggers’ previous projects like The Lighthouse, but The Northman retains the same intensity through personal conflict. Alexander Skarsgård is a brooding presence, hulking and animalistic, humanised through his gentler interactions with the wonderful Anya Taylor-Joy as an understanding counterpoint. The characters are (or feel themselves to be) pawns to the whims of fate, and the cinematography reflects this with vast Icelandic vistas that dwarf individuals in the frame. It may be difficult to find joy in the world Eggers has created but the uncompromising experience is more gripping than most big budget modern cinema.