“I do worry sometimes I might just be entertaining myself while staving off the inevitable.”Colm Doherty
Reuniting writer-director Martin McDonagh with In Bruges leads Colin Farrell and Brendan Gleeson, The Banshees of Inisherin is at its core a drama about a rift between two lifelong friends. Colm’s realisation of his mortality has left him desperate to create something that might be remembered — he is convinced that Pádraic, described as “one of life’s good guys”, is destined to be forgotten like most on the island. As the rejected Pádraic, Colin Farrell is palpably heartbroken, his eyebrows permanently crestfallen. Kerry Condon and Barry Keoghan’s superb supporting performances are easily the match of the leads. Despair hangs over the island’s population through a lack of stimulation and McDonagh has commented that an underlying theme is that depression is something that has long existed in humans, even if we only now accept it (“he could push it down like the rest of us” Pádraic opines). War is literally on the horizon, sporadic explosions on the mainland reminding islanders of the world beyond and contrasting Colm’s search for a sense of peace. The Banshees of Inisherin is the most fable-like of McDonagh’s films to date, reminiscent of John Michael McDonagh’s Calvary, not only in its Irishness (and Gleeson’s presence) but the sense of impending doom, personified here by the portentous witchlike figure of Mrs McCormick who seems almost plucked from The Northman. McDonagh’s work unfailingly elicits emotion, and The Banshees of Inisherin succeeds in provoking frequent laughter through its often unexpected darkly cynical humour, whilst leaving a profound sense of melancholy behind.
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