“Wait so you’re Spider-Man too?”Ned Leeds
Where Avengers: Endgame was the result of a decade of carefully curated MCU crossovers, No Way Home uses a freak multiverse fracture to draw ad hoc from the past twenty years of Sony’s Spider-Man movies, delivering perhaps the ultimate in cinematic fan service for those who grew up during that period. Its strength is the resulting character interaction between characters who would never normally have meet, drawing on the parallels and differences between the lives of the various Peter Parkers we have seen. The script uses this for emotional payoff and even to provide some unexpected closure years later. In-jokes abound based on the earlier films and even Internet memes that grew out of them. In all of this, the film can be joyfully playful in a similar way to Into The Spider-verse. No Way Home does place certain expectations on its audience’s knowledge, which leaves it unburdened by the need to explain its position in the MCU or to provide fresh introductions for its rogues’ gallery of villains, whose backstories instead become throwaway gags. The weak link is the action which continues the franchise’s trend for CG-heavy fights and wanton property destruction; even J. Jonah Jameson seems incredulous as he criticises the damage to yet another landmark. The most interesting choreography is a sequence combining Spider-Man’s acrobatics with Doctor Strange’s portals, which shows more creativity in a few minutes than the entire climactic battle.