“It’s a whodunit. You see one, you seen ’em all.”Leo Kopernick
A theatrical whodunit set in London’s West End in the 1950s with a delightful ensemble cast, See How They Run is a comedy drama that draws you along for an entertaining ride rather that setting up a particularly compelling mystery for the viewer to solve as an active participant. Gleefully self-referential with its setting during the initial run of Agatha Christie’s The Mousetrap and machinations to adapt the play into a movie, it provides light satire of both the theatre and film industries. The ending is structurally foreshadowed without revealling the killer, but having the culprit ultimately reveal themselves unprompted is rarely satisfying. The journey is enjoyable, however, largely due to Mark Chappell’s deftly paced and witty script. Saoirse Ronan stands out as the enthusiastic but inexperienced constable, jumping to conclusions each time a suspect emerges. The cinematography juxtaposes the artificial opulence of the theatre with drab reality of the streets outside, Jamie Ramsey also being responsible for Living‘s recent depiction of period London. Brief split screen cuts are frequently deployed — used stylistically rather than for any narrative purpose — and the sudden changes to the aspect ratio can be jarring, feeling somewhat cartoonish. It is unlikely to be remembered beyond the end of the year, but See How They Run is a droll diversion despite its weaknesses as a whodunit.