“We are alone. No matter what they tell you, we women are always alone.”Sra. Sofía
Roma is an overt passion project for Alfonso Cuarón: a semi-autobiographical film shot entirely in black-and-white with virtually all dialogue in Spanish and Mixtec. Yet, not only is this an indulgence he has earned, but the results are often breathtaking. The story follows a tumultuous year for the live-in housekeeper to a middle-class family, against the backdrop of Mexico in the early 1970s. The underlying themes include love and lies, abandonment and guilt, and finding a sense of place. Doubtless more will emerge from rewatching. The monochrome cinematography is utterly beautiful, from sun-bleached rooftops to forests to rolling countryside to breaking waves to the chrome accents on period cars. Cuarón is a master of his craft turning his lens introspectively.