“Sometimes I think I have felt everything I’m ever gonna feel. And from here on out, I’m not gonna feel anything new. Just lesser versions of what I’ve already felt.”Theodore
Although Her is ostensibly science fiction — one of its central characters is a sentient artificially intelligent operating system — Spike Jonze approaches this ambitious film as a traditional love story in which one of the participants simply lacks corporeal form. Theodore and Samantha’s chemistry rests as much on Scarlett Johanssen’s charm and curiosity through just a disembodied voice (no doubt recorded with a great deal of direction when she replaced Samantha Morton who originally voiced the role during filming) as it does on Joaquin Phoenix’s presence onscreen. Jonze uses the premise of this unusual relationship to deconstruct the loneliness of modern life as we regard one another from an increasing distance and — one decade and a global pandemic later — his vision of how our computer-dominated society is evolving feels eerily accurate. Theodore, sympathetically underplayed by Phoenix, is a kind and creative man struggling with divorce and, although he has friends and colleagues who like him, only his OS seems to understand how to support him. Whatever one’s view of the relationship, its effects on Theodore are tangible, and that is where Her, with its non-judgmental perspective, truly fascinates.