“The only thing they can’t forgive is not being from God’s Pocket.”Richard Shellburn
A meandering script and loose directorial hand underserve a talented cast in this story of a fictional blue collar Philadelphia neighbourhood, coping with a tragedy and hostile to outsiders. The posthumous release of one of Phillip Seymour Hoffman’s final performances was bound to engender a favourable reception, but John Slattery’s directorial debut is a disappointing vehicle in which to take one last ride. It misses the mark in shooting for an absurdist tone, the darkly bizarre moments simply feeling out of place rather than comedic. God’s Pocket is worth watching for the acting alone but, much as the film glosses over Leon’s funeral, do not expect a fitting send-off for Hoffman.
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