“The darkest dark is the dark beside the spotlight. You can do anything there and no one seems to notice.”John DeLorean
Ostensibly covering the scandal which engulfed the respected car designer John DeLorean when he tried to establish the DeLorean Motor Company, Driven is oddly written in a way that largely sidelines both the man and his iconic car. Instead, the focus is on the affable FBI informant who was involved in setting him up, a mustachioed Jason Sudeikis seemingly test running the performance that would later become Ted Lasso. This approach provides a light-hearted tone with a character easy to root for, but it robs the film of much of its real-world interest in favour of a by-the-numbers sting. The DeLorean’s futuristic design with its immediately-recognisable gull-wing doors, and the compromises that undermined its launch, are worthy of centre-stage but are relegated almost to a McGuffin. Working with very little, Lee Pace impressively imbues John with determination and a quiet, tragic depth — there are similarities with his role in Halt and Catch Fire, a series which far better captured the entrepreneurial struggle and spirit of the 1980s. The period setting is effective, in the colour grading as much as the wide-collar constuming. Driven is a forgettable joyride, sufficiently enjoyable in the moment but derivative and ill-focused.