“This is just a body. It’s not bad or good. That part’s up to you.”Dr Dyson Ido
Alita is two thirds of a good origin story, spoiled by an unexpectedly truncated ending that provides no resolution. Despite the heavy CGI at play, Rodriguez’s direction keeps the majority of the film impressively grounded, and the action sequences in particular benefit greatly from characters that feel like they occupy physical space (e.g. a cyborg roller derby shot using the camera techniques used for NASCAR). Ending aside, the biggest flaw is an artistic choice that fails to pay off. Whilst virtually all of the cyborgs have human faces — even where attached to monstrous mechanical bodies — Alita’s is motion-captured CGI to mirror her manga origins and provide a slightly otherworldly appearance. The cartoonishly large eyes are expressive, but the overly smoothed skin and features fall heavily into the uncanny valley, undermining many of the films slower paced, emotional story beats. The fact that the effects work so well on the human-faced cyborgs only reinforces that this was a deliberation decision, if an unfortunate one.