This year’s Consumer Electronics Show in Las Vegas was a largely predictable affair: everyone jumped on the “wearable tech” bandwagon but with limited innovation and a lot of Fitbit clones, the Oculus Rift headset wowed even more than last year but remains a prototype with a nebulous future, Valve’s Steamboxes have become a reality and they look like… PCs.
Meanwhile, as signalled last year, television manufacturers have thankfully dropped their push for 3D, accepting that most people do not really care about it in the living room environment (if at all). They are instead moving towards affordable 4K or “Ultra HD”. At four times the number of pixels in “Full HD” 1080p, this allows for substantially larger and more immersive screens whilst retaining visual fidelity when sitting at the same distance away. The problem is the immediately obvious lack of content: I think it is safe to assume that last year’s $1,750 REDRAY player will not be appearing in the average consumer home any time soon.
Great as 4K TVs may look, content is what drives adoption. Broadcast content is years away, as is a new standard for home content that would be incompatible with current blu-ray players. This is where Netflix’s announcement could herald one of the biggest shake-ups from this year’s CES. It announced that future Netflix Original series (including the forthcoming second season of House of Cards) will be shot in 4K, and they will be remastering Breaking Bad in 4K. By the end of the week LG, Sony, Samsung and Vizio had all announced Netflix support on their new 4K TVs.
That essentially makes Netflix the de facto destination for 4K adopters, which should worry the rest of the content industry. The only serious competitor seems to be Amazon in the US, but in Europe they have done little to impress since their acquisition of LoveFilm and its streaming service. Given Netflix’s latest UI shifts towards a presenting a personalised channel of on-demand content, I can think of many worse companies to be at the head of the pack.