“I don’t think of myself as a homosexual. I really don’t think of myself as anything.”Cameron Post
Cameron Post is the kind of emotional but understated role that I have been hoping for Chloë Grace Moretz to take. That she signed on to this low budget but beautifully crafted passion project makes clear how keen she was too. Gay conversion therapy remains a dirty secret of Christianity, with Western societies tacitly condoning this form of emotional abuse. This film approaches it solely from perspective of those subjected to treatment; it can be sympathetic to other characters but does not seek to explore their reasoning. Whilst a protagonist without agency is often problematic, in Cameron’s case it makes sense because that is fundamental to those experiencing this treatment. Through Moretz’s nuanced performance we see the transition from incredulity at what she hears, to wanting the process to help her, to realising she has far more understanding and agency than she had allowed herself to believe. Whilst a marketing push is likely to target a queer audience, this deserves mainstream recognition.