“You like to make fun of us, but we are more powerful than you think.”Dennis
The general downward trajectory of Shyamalan’s career has made him an easy target, yet two decades on he can still attract funding and acting talent. Split is, fittingly, a psychological thriller masquerading as horror. Its setup features the abduction of three teenage girls who are subjected to the stereotypical semi-exploitative treatment of horror victims. The tone swiftly shifts as the girls discover their captor exhibits multiple personalities which becomes the movie’s focus and provides for a fresher experience. Although the closing minutes of Split demonstrate it to be a stealth sequel to an early Shyamalan success, setting up a subsequent crossover, the film stands entirely on its own. McAvoy is entertaining as he enjoys chewing through Kevin’s various colourful personalities. Sadly, the remainder of the characters are one-note horror tropes, and too much of the film relies on convention rather than subverting it. Split is Shyamalan’s best work in a long time but cannot be described as a return to his early form.