“If you can’t remember then it’s better to forget.”Curtis
Snowpiercer is fresh high-concept science fiction that arrived a few years ahead of its time with an admittedly unsubtle allegorical tale of climate-induced revolution as the destitute rise up. Director Joon-Ho Bong adapts a French graphic novel with a confident blend of Korean and Western sensibilities that needs to viewed texturally in the manner of Jean-Pierre Jeunet or Terry Gilliam. Logical interrogation of the implausible story will invariably lead to disappointment, but the violent journey through this train — hurtling ceaselessly through a frozen wasteland — is filled with tension and fabulous imagery. The revolution’s success seems ever balanced on a knife-edge, but as they advance each carriage presents its own detailed diorama is full of wonderful details. Chris Evans carries the audience as the reluctant hero, supported by a host of venerable British talent, including John Hurt and a riotously hammy Tilda Swinton. More than the sum of its parts, it was perhaps inevitable that the creatively bleak Snowpiercer left critics more enamoured than audiences.