Prolific Japanese director Takashi Miike rose to prominence in the latter half of the nineties with the loosely connected Black Society Trilogy, as he graduated from the straight-to-video market. Shinjuku Triad Society bears the hallmarks of his later work, with its outcast anti-heroes and perverse, often violent, sexuality. Whilst his portrayal of sexual violence is problematic, it is not without intent but is reflective of his characters, even if the perspective is overly detached. His approach starkly challenges the orthodox Japanese sense of masculinity that imbues, for example, Takeshi Kitano’s anti-heroes.

6/10